In many ways, Oppenheimer feels like the thematic culmination of Nolan’s career. From The Prestige to Inception to Interstellar, he has always been fascinated with the intersection of genius and guilt, ambition and consequence. But here, stripped of science fiction and cinematic sleight of hand, Nolan delivers a film that is brutally human. The most horrifying image isn’t the mushroom cloud—it’s a silent, shell-shocked Oppenheimer, realizing that the world will never be the same.
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