 TARTAN TAT
August 12-20 - The Space @ Niddry Street "Tartan Trap," is a surprisingly provocative play which isn’t afraid to dive headfirst into the toxic nature of transphobia and the viciousness of online campaigns against those who show solidarity with trans people. Set in the heart of Edinburgh's Royal Mile, the play centres around the young and rough staff of Tartan Treasures, a touristy gift shop selling kitschy souvenirs. What starts as a typical day of selling Highland cows and knock-off wands quickly spirals into chaos when the shop becomes the target of a social media storm following a misunderstanding when a shopworker takes issue with selling Harry Potter books to a customer. "Tartan Trap" excels when its social commentary addresses the toxic backlash against trans rights and those who stand in solidarity with the trans community. The play isn't afraid to call out figures like J.K. Rowling, making a powerful statement on the societal backlash faced by trans allies, and works as a companion piece to another Fringe offering, "Terf." It’s a bold statement that highlights how the discussion around trans rights has become so fraught that even a basic act or statement can provoke intense controversy. However, when the play delves into the topic of performative activism, it walks a delicate line. At times, it seems to attempt a balanced critique, pointing out the flaws with these sides of the huge debate. While this approach adds layers of complexity to the narrative, it also risks diluting its message by appearing to rise above the fray rather than taking a definitive stance. One of the highlights of the play is the character of Millie, portrayed with a larger-than-life presence by Freya Anderson. Millie is a young shop worker who sees the unfolding drama as her chance to grow her media PR brand, navigating the chaos with ambition. Anderson's performance is a standout, drawing clear parallels to Marli Siu's early career roles in "Our Ladies" and "Anna and the Apocalypse” marking her out as one to watch. 3.5/5 Lee Hutchison |
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